The irrepressible painting of Janet Mueller gives rise to works that are as powerful as they are highly sensitive. In a process of applying and removing paint, concrete, figurative, and typographical elements are fused together to create a vivid personal pictorial language that brings together surrealistic automatisms and neo-Expressionist expression, and is at times reminiscent of Jean-Michel Basquiat. Her pictures, installations, and actions negotiate the intuitive, gestural, and process-oriented qualities in the act of painting and unrelentingly address directness, incompleteness, and questions of identity.
Mueller engages in lively exhibition activities: her works have been shown at the Helmhaus Zürich, the Kunstzeughaus Rapperswil, and the Fundaziun Nairs Scuol, among other venues, as well as in art exhibitions with Lutz & Guggisberg, Eric Hattan, or huber.huber. Janet Mueller’s works are part of numerous private and public art collections, for instance of the City of Zurich or the Swiss National Bank.
*1975 in the former GDR, lives und works in Zürich, Switzerland.
[Translate to English:] Atelieransicht von Janet Mueller, 2022. Foto: die Künstlerin.
[Translate to English:] Ausstellungsansicht «Visarte & Friends» in der Photobastei, Zürich, Schweiz, 2023. Janet Mueller «Ein Raster muss fliegen», 2023. Courtesy die Künstlerin. Foto: Tanja Trampe.
[Translate to English:] Interventions-Ansicht von Janet Mueller im Rahmen von «What’s Cooking? A Re-Arrangement / Eine Um-Ordnung (becoming with)» im Helmhaus, Zürich, Schweiz, 2023. Foto: Maria Natalich.
[Translate to English:] Ausstellungsansicht «Janet Mueller – Was vom Tage übrig bleibt» in der Galerie König Büro, Zürich, Schweiz, 2023. Janet Mueller «DU und ICH_ICH und DU», 2023. Courtesy die Künstlerin. Foto: Michel Gilgen.
[Translate to English:] Installationsansicht «Janet Mueller – Was vom Tage übrig bleibt» in der Galerie König Büro, Zürich, Schweiz, 2023. Foto: Michel Gilgen.